The Bluegrass Reader available on March 14 2016 from Buy for 22.95
University of Illinois Press available on November 12 2014 from Amazon for $6.53
ISBN bar code 9780252073656 ξ2 registered March 14 2016
ISBN bar code 9780252073656 ξ1 registered November 12 2014
Product category is Book
Manufacturered by University of Illinois Press
Product size is 9.38"x6.38"x0.82"
Product weight is 1.14 lbs.
Like rock 'n' roll, bluegrass exploded out of a post-World War II atmosphere in which more Americans opened their ears to more different kinds of music than ever before. All around the country, musicians were searching for new sounds and approaches: country blues went fully electric in Chicago, bebop boiled over as jazz hit the hippest notes yet, and country music followed Hank Williams into newer, sexier, harder-hitting territory. The developments in bluegrass proved every bit as galvanic. In The Bluegrass Reader, Thomas Goldsmith joins his insights as a journalist with a lifetime of experience in bluegrass to capture the full story of this dynamic and beloved music. Inspired by the question What articles about bluegrass would you want to have with you on a desert island? he assembled a delicious, fun-to-read collection that brings together a wide range of the very best in bluegrass writing. Goldsmith's judicious selections include a fascinating combination of older, more obscure, and previously unavailable writings with pieces that are classics in the history of writing about bluegrass: Alan Lomax in Esquire, Mayne Smith's groundbreaking dissertation, Ralph Rinzler's Sing Out piece on Bill Monroe, and Mike Seeger's Folkways liner notes. The Bluegrass Reader also features writers as disparate as Marty Stuart, David Gates, and Hunter Thompson writing for such magazines as The New Yorker, Atlantic Monthly, and Muleskinner News. In an age where musical trends flit by like models on a runway, bluegrass has endured changes while faithfully checking its advances against the formative years. Goldsmith follows its history through three roughly twenty-year periods: from 1939 to 1959, from1959 to 1979, and from 1979 to the present. Goldsmith's substantial introduction describes and traces the development of the music from its origins in Anglo-American folk tradition, overlaid with African American influences, to the breakout popularity of Ralph Stanley, Alison Krauss, and
A few years ago, a certain tenacious fan (yours truly), trying to get an interview with Mitch Jayne of The Dillards, managed to irritate him to the point that he stormed, "Bluegrass people are not readers!" This comprehensive anthology, compiled from a surprising variety of sources by journalist Thomas Goldsmith (the International Bluegrass Music Association's 2004 Print Media Personality of the Year), would seem to prove otherwise. Collecting "particularly strong, influential, and representative writing a..
I`ve never much enjoyed reading about music; far more fun to play or listen to it. Lately, though, I`ve become addicted to Amazon`s "cheap reads" covering a variety of subjects and after checking out a few pages of this one on line, ordered it and can highly recommend the book for anyone interested in bluegrass or old time string band music.Bluegrass slammed me in the back of the head from out of nowhere back in the early 1950s when I happened across Don Reno`s "Dixie Breakdown" courtesy of Ray Davis` broa..