Product Code Database
Streetcar Named Desire, A: Special Edition (Dbl DVD) A Streeetcar Named Desire: The Original Directors Version is the Elia Kazan/Tennessee Williams film moviegoers would have seen had not Legion of Decency censorship occurred at the last minute. It features three minutes of previously unseen footage underscoring, among other things, the sexual tension between Blanche DuBois (Vivien Leigh) and Stanley Kowalski (Marlon Brando), and Stella Kowalskis (Kim Hunter) passion for husband Stanley. Catch
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Streetcar Named Desire, A: Special Edition (Dbl DVD) A Streeetcar Named Desire: The Original Directors Version is the Elia Kazan/Tennessee Williams film moviegoers would have seen had not Legion of Decency censorship occurred at the last minute. It features three minutes of previously unseen footage underscoring, among other things, the sexual tension between Blanche DuBois (Vivien Leigh) and Stanley Kowalski (Marlon Brando), and Stella Kowalskis (Kim Hunter) passion for husband Stanley. Catch all of the classic - nominated for 12 Academy AwardsO including Best Picture and winner of 4* - that introduced a new era of filmmaking. Step aboard this Streetcar. An exemplary selection of supporting material makes this second disc much more than a throw-in. Richard Schickels lucid 90-minute profile, Elia Kazan: A Directors Journey, gives a fine account of the Kazan career, including lesser-known but worthy films such as Wild River and America, America. (One wonders, however, why a documentary about the art of a director cant letterbox its widescreen clips.) Kazans work, rather than his fascinating life, is the focus, and his cooperative testimony before the House Un-American Activities Committee in the 1950s is given a brief, neutral treatment. Clips from those Kazan interviews figure in two shorter docs, a look at the origins of Streetcar on Broadway (and the way Marlon Brandos performance threatened to tip the balance of the play) and a thorough half-hour history of the movie adaptation. A nine-minute profile of Brando is mostly an excuse for reminiscences from Karl Malden, but they are wonderful memories indeed. (Malden also contributes his sharp recollections and wise insights to a commentary track on the film, along with film writers Rudy Behlmer and Jeff Young, all recorded separately.) A ten-minute look at composer Alex Norths contribution is informative and smart. Outtakes here are really a collection of snippets, of interest to fanatics. A Brando screen test is
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