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Tenebrism, from ('dark, gloomy, mysterious'), also occasionally called dramatic illumination, is a style of using especially pronounced , where there are violent contrasts of and , and where darkness becomes a dominating feature of the image. The technique was developed to add drama to an image through a spotlight effect,

(2011). 9781111771454, Cengage Learning. .
and is common in Baroque paintings. Tenebrism is used only to obtain a dramatic impact while is a broader term, also covering the use of less extreme contrasts of light to enhance the illusion of three-dimensionality.


Baroque
The artist is generally credited with the invention of the style, although this technique was also used by earlier artists such as Albrecht Dürer in his several self portraits; by in his dramatic religious paintings, such as The Miracle of St Mark; by , who painted three versions of a composition with a boy, a man, and a monkey grouped in darkness around a single flame; and lesser known painters such as , who painted night-scenes with a restricted lighted areas. The term is usually applied to artists from the 17th century onward.

Among the best known tenebrist artists are Italian, Dutch and Spanish followers of Caravaggio. These include the Italian Baroque follower of Caravaggio, Artemisia Gentileschi, who was an outstanding exponent of tenebrism.

(2025). 9780534641146, Cengage Learning. .
Other exponents include the Dutch painters of the and the Spanish painters Francisco Ribalta, Jusepe de Ribera, and their followers, with the term most often being applied to these painters.

Tenebrism is sometimes applied to other 17th-century painters in what has been called the "candlelight tradition". These include Georges de La Tour, who painted many works illuminated with a single candle, , Gerrit van Honthorst, and . In Flanders Adam de Coster was recognized as a leading tenebrist who excelled in scenes in which a single candle has its light blocked by an object. Notes on Adam de Coster at Sotheby's The Dutch artist Godfried Schalcken painted many candle-lit scenes. The northern painters (but not always Rembrandt) often achieved a mood of stillness and tranquility through their extreme lighting, rather the reverse of the impression that Spanish painters intended. They are typically as interested in the very dimly-lit areas of the painting as the spot-lit ones, and their light diffuses gently across much of the picture area.


Later development
Later, similar compositions were painted by Joseph Wright of Derby and other artists of the , but the term is rarely used to characterize their work in general.
(2013). 9788499489919, Editorial Club Universitario. .


See also


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