In sound and music, an envelope describes how a sound changes over time. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. An envelope may relate to elements such as amplitude (volume), frequency (with the use of filters) or pitch.
Envelope generators, which allow users to control the different stages of a sound, are common features of , samplers, and other electronic musical instruments. The most common envelope generator is controlled with four parameters: attack, decay, sustain and release ( ADSR).
Following discussions with the engineer and composer Vladimir Ussachevsky, the head of the Columbia-Princeton Electronic Music Center, in 1965, Moog developed a new envelope module whose functions were described in f T1 (attack time), T2 (initial decay time), ESUS (sustain level), and T3 (final decay time). These were later simplified to the modern ADSR form (attack time, decay time, sustain level, release time) by ARP.
While attack, decay, and release refer to time, sustain refers to level.
Some envelopes, such as that of the Korg MS-20, have an extra parameter, hold. This holds notes at the sustain level for a fixed length of time before decaying. The General Instrument AY-3-8910 sound chip includes only a hold time parameter; the sustain level is not programmable.
Another common variation in the same vein is the AHDSR (attack, hold, decay, sustain, release) envelope, in which the hold parameter controls how long the envelope stays at full volume before entering the decay phase. Multiple attack, decay and release settings may be found on more sophisticated models.
Certain synthesizers also allow for a delay parameter before the attack. Modern synthesizers, such as the Prophet '08, have DADSR (delay, attack, decay, sustain, release) envelopes. The delay setting determines the length of silence between hitting a note and the attack. Some software synthesizers, such as Image-Line's 3xOSC (included with their DAW FL Studio) have DAHDSR (delay, attack, hold, decay, sustain, release) envelopes.
A common feature on many synthesizers is an AD envelope (attack and decay only). This can be used to control, for example, the pitch of one oscillator, which in turn may be synchronized with another oscillator by oscillator sync.
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