A slide whistle (variously known as a swanee or swannee whistle, lotus flute,Karl Peinkofer and Fritz Tannigel, Handbook of Percussion Instruments, (Mainz, Germany: Schott, 1976), 78. piston flute, or jazz flute) is a wind instrument consisting of a tube with a piston in it, and a fipple mouthpiece similar to a recorder at one end. This enables the player to vary the pitch with a slide while blowing the whistle, producing an ascending or descending glissando. Because the air column is cylindrical and open at one end and closed at the other, it overblows the third harmonic.Adato, Joseph and Judy, George (1984). The Percussionist's Dictionary: Translations, Descriptions, and Photographs of Percussion Instruments from Around the World, p.32. Alfred Music. .Beck, John H. (2013). Encyclopedia of Percussion, p.83. Routledge. .
The modern slide whistle is familiar as a sound effect (as in animated cartoon sound tracks, when a glissando can suggest something rapidly ascending or falling, or when a player hits a "Bankrupt" on Wheel of Fortune), but it is also possible to play melodies on a slide whistle.
The swanee whistle dates back at least to the 1840s, when it was manufactured by the Distin family and featured in their concerts in England. Early slide whistles were also made by the English J Stevens & Son and H A Ward. By the 1920s the slide whistle was common in the US, and was occasionally used in popular music and jazz as a special effect. For example, it was used on Paul Whiteman's early hit recording of "Whispering" (1920).Berrett, Joshua (2004). Louis Armstrong & Paul Whiteman: Two Kings of Jazz, p. 62. Yale University Press. . Even Louis Armstrong switched over from his more usual cornet to the slide whistle for a chorus on a couple of recordings with King Oliver's Creole Jazz Band, Louis Armstrong's discography: Early years - 1901 1925 such as Sobbin' Blues (1923).(1990). Jazz Journal International. Billboard. At that time, slide , with reeds rather than a fipple, were also built. The whistle was also widely used in Jug band music of the 1920s such as Whistler's Jug Band. Gavin Gordon uses a slide whistle in his ballet The Rake's Progress (1935).
In the 1930s through the 1950s it was played with great dexterity by Paul 'Hezzie' Trietsch, one of the founding members of the Hoosier Hot Shots. They made many recordings.
Roger Waters played two notes on the slide whistle in the song Flaming, from Pink Floyd's debut album The Piper at the Gates of Dawn.
A more recent appearance of the slide whistle can be heard in the 1979 song "Get Up" by Vernon Burch. The slide whistle segment of this song was later sampled by Deee-Lite in their 1990 hit "Groove Is in the Heart". Fred Schneider of The B-52's plays a plastic toy slide whistle in live performances of the song "Party Out of Bounds" as a prop for the song's drunken partygoer theme, in place of the trumpet thus used in the studio for the Wild Planet song.
On the popular BBC Radio 4 comedy panel game show "I'm Sorry I Haven't A Clue" the swanee whistle has been paired for comic effect with the kazoo in a musical round called "Swanee-Kazoo".
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