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Sexual comedy (also known as, sex comedy and erotic comedy) is a genre in which comedy is motivated by sexual situations and love affairs. Although "sexual comedy" is primarily a description of dramatic forms such as theatre and film, literary works such as those of , "Sexual Comedy in Ovid's Fasti: Sources and Motivation," in Harvard Studies in Classical Philology 87 (1983) 185–216. and Giovanni BoccaccioRobert R. Edwards, "Narrative," in A Companion to Chaucer (Blackwell, 2000, 2002), p. 314. may be considered sexual comedies.

Sexual comedy was popular in 17th century English Restoration theatre. From 1953 to 1965, Hollywood released a number of sexual comedies, some featuring stars such as , and . The United Kingdom released a spate of sexual comedies in the 1970s, notably the Carry On series. Hollywood released in 1978, which was followed by a long line of teen sexual comedies in the early 1980s, e.g. Porky's, Bachelor Party and . Other countries with a significant sexual comedy film production include Argentina, ( comedia picaresca), Brazil (), Italy (commedia sexy all'italiana) and Mexico (sexicomedias).


Antiquity
Although the ancient Greek theatre genre of the contained farcical sex, perhaps the best-known ancient comedy motivated by sexual gamesmanship is ' (411 BC), in which the title character persuades her fellow women of Greece to protest the Peloponnesian War by withholding sex.Jon Solomon, The Ancient World in the Cinema (Yale University Press, 2001), p. 284. The "boy-meets-girl" plot that is distinctive of Western sexual comedy can be traced to (343–291 BC), who differs from Aristophanes in focusing on the courtship and marital dilemmas of the middle classes rather than social and political satire.Richard Hornby, Mad about Theatre (Applause Books, 1996), p. 261.

His successor , the Roman playwright whose comedies inspired the musical A Funny Thing Happened on the Way to the Forum, regularly based his plots on sexual situations.Robert Blumenfeld, Using The Stanislavsky System: A Practical Guide To Character Creation and Period Styles (Limelight Editions, 2008), p. 100. The popularity of Plautus's comedies was a major influence on the creation of .Paul Kuritz, The Making of Theatre History (1988), p. 51.


Restoration sexual comedy
During the decade 1672–82, sexual comedy such as The Country Wife (1675) flourished as part of the revival of theatre in England resulting from the Restoration.Susan J. Owen, Perspectives on Restoration Drama (Manchester University Press, 2002), p. 42. Forerunners of the craze were 's An Evening's Love (1668) and 's The Amorous Widow (ca. 1670).Owen, Perspectives on Restoration Drama, p. 42. Sexual content was favored by the presence of female performers, in contrast to the of the Elizabethan stage.Elizabeth Woodrough, Women in European Theatre (Intellect Books, 1995), p. 16. The main character was often a self-important rake or , posturing heroically.Owen, Perspectives on Restoration Drama, p. 43. Adultery was a major theme, and the couple is sometimes found in flagrante delicto, represented by the stage direction "in disorder."Woodrough, Women in European Theatre p. 16. The plays are often characterized by sexually charged banter, "swaggering masculine energy," and a superficially innocent heroine who is nonetheless alluring.Deborah Payne Fisk, introduction to Four Restoration Libertine Plays (Oxford University Press, 2005), p. xii. This theatrical milieu produced the first woman of the Western tradition who made her living as playwright, ( The Rover).

Sex comedy embraces a realm of drama in which women can be contenders. The war is fought with glances and flirtations, wit and beauty, manipulation and desire. And in this battle, women often win—even if the victory is sometimes equivocal.Ann Marie Stewart, The Ravishing Restoration: Aphra Behn, Violence, and Comedy (Rosemont, 2010), p. 96.

Presenting seduction and adultery as funny eased moral anxieties that might otherwise have attached to these themes.J.L. Styan, Restoration Comedy in Performance (Cambridge University Press, 1986), p. 242. It is an open question as to whether the plays portraying libertinism endorses the lifestyle, or holds it up to satire and criticism.Adam Smyth, A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England (D.S. Brewer, 2004), p. 127; Owen, Perspectives on Restoration Drama, p. 43.

After the main vogue of Restoration sex comedy, revived and reinvented the form, and bawdy comedy remained popular into the 18th century.Owen, Perspectives on Restoration Drama, p. 42.


Modern sexual comedy

American sexual comedy
Film historian Tamar Jeffers McDonald highlights the period 1953 to 1965 as an era when sexual comedy came to be the main form of romantic comedy in Hollywood.Tamar Jeffers McDonald. 2007. Romantic Comedy: Boy Meets Girl Meets Genre. Wallflower Press. She claims that 1953 was a key year as the producers of the film The Moon Is Blue challenged the Motion Picture Production Code rules against using the word 'virgin', introduced magazine, and sexologist drew attention to the way women were having sex before marriage. In the movies, playboys played by actors such as or would try to bed marriage-minded women played by actresses such as or , and the central question would seem to be "will she or won't she?", but in the end, the man would fall for the "girl", and sometimes agree to marry her. Notable sex comedies in this period were Some Like It Hot, , Irma La Douce, Pillow Talk, The Seven Year Itch, Gentlemen Prefer Blondes and Lover Come Back. According to McDonald, by 1965, the sexual revolution was under way, so "will she or won't she?" could no longer serve as the central dynamic, and filmmakers moved on to different topics.

Some may also consider the 1967 film, , to be a sexual comedy due to the story being about the main character, Benjamin Braddock, being seduced and starting an affair with his family friends' mother, Mrs. Robinson. During the 70's, there were films such as Pretty Maids All in a Row, The Chicken Chronicles, The Swinging Cheerleaders, The Pom Pom Girls, and which share some to many elements from the sexual comedy sub-genre. The sub-genre sometimes shares genre elements with the coming-of-age stories genre as well.

In 1978, success led to a string of raunchy gross-out and sexual comedies in the late 1970s and early to mid 1980s. Animal House featured many scenes that would become iconic and often parodied, such as the scene in which John "Bluto" Blutarsky () acts as a "" to spy on a half-naked at a . In 1981, the film Porky's cemented the wide appeal of the sexual comedy. Although it would go on to become the fifth highest-grossing film of the year, it proved to be unpopular with critics, with many accusing it of being degrading to women as well as objectifying of them. The film would lead to three sequels and is credited by many as the start of the "teen" subgenre of the sexual comedy. Some other examples of these types of films from this era and some of which have actors/actresses starring in them that later went on to bigger fame include Revenge of the Nerds, Hot Dog…The Movie, The Last American Virgin, Losin' It, , Mischief, Bachelor Party, Once Bitten, Fast Times at Ridgemont High, Secret Admirer, The Sure Thing, Class, Private Lessons, Private School, and .

Another 80's teen comedy film that stars young actors and actresses that went onto bigger fame and is tamer on its handling of sex is .

Although not widely considered a "sexual comedy," the 1998 critical and financial hit There's Something About Mary has many moments that have entered the pop culture lexicon, particularly the infamous scene in which Ted Stroehmann (), following a scene of vigorous masturbation, discovers that his semen is hanging off of his ear. Mary (), mistaking it for , nonchalantly grabs it and runs it through her hair.

A year later, the film American Pie was credited with reviving the "teen sex comedy" subgenre. In the film, a group of high schoolers make a pact to lose their virginity before they graduate. The film's most famous scene (which also provides its namesake) involves one of the high schoolers, Jim (), having intercourse with a fresh apple pie after being told by a friend that it is similar to "getting to third base." The film spawned numerous sequels and spin-off films, all with varying degrees of financial and critical success, and kicked off a second wave of American sexual comedy in the late 1990s and early 2000s.

A third wave of American sexual comedy emerged in the mid to late 2000s and into the early 2010s with a string of successful sexual comedy films by and his associates. Apatow's 2005 directorial debut The 40-Year-Old Virgin follows Andy Stitzer () as he struggles with the pressures of reaching the age of 40 without ever having "done the deed." Although the film featured crude sexual humor, it was critically praised for balancing it with an underlying romantic message. Another Judd Apatow related film, Superbad, shared many similar motifs from classic "teen" sex comedies of the past.

Sexual comedies of the 2010s include The To Do List, puberty-themed series Big Mouth, and Yes, God, Yes.Rife, Katie. Lady Bird meets American Pie in the sweetly innocent sex comedy Yes, God, Yes." G/O Media. Retrieved 31 August 2020.


British sexual comedy
According to David McGillivray in his history of the British sex film, Doing Rude Things, Mary Had a Little... (1961) was the first British sex comedy.David McGillivray Doing Rude Things: The History of the British Sex Film 1957–1981, Sun Tavern Fields Books, 1992. . Bridging the gap between documentary nudist films and the later sex comedies was the film The Naked World of Harrison Marks (1966). George Harrison Marks' love of music hall and slapstick found its way into this spoof documentary biographical film.

's last starring role, What's Good for the Goose (1969), was a sexual comedy made by . He specialised in producing exploitation films and founded his own production company Tigon British Film Productions in 1966. R.I.P. Tony Tenser « SHADOWPLAY In the movie, he leaves his wife and kids to go off on a business trip and has an affair with a young girl, played by There apparently are two versions of the film: the 98-minute cut version was released in the UK, while the uncensored version (105 minutes) which shows nudity from Sally Geeson, was released in continental Europe.

Percy was directed by and starred , , , and . The film is about a successful transplant. An innocent and shy young man (Bennett) whose penis is mutilated in an accident and has to be amputated wakes up after an operation to find out that it has been replaced by a womanizer's, which is very large. The rest of the movie is about its new owner following in his predecessor's footsteps and meeting all the women who are able to recognize it. There was a sequel, Percy's Progress, released in 1974.

To move with the times, the Carry On series added nudity to its saucy seaside postcard innuendo. Series producer saw the movie Loving (1970) and added his two favourite words to the title, making Carry On Loving (1970) the twentieth in the series.

(2025). 9780563551836, BBC Books.
Starring "countess of cleavage" , the story of a dating agency service is still very innocent stuff. It was followed by Carry On Girls (1973), based around a -style beauty contest. Next in the series was Carry On Dick (1974), with more risqué humour and and 's on- and off-screen lovemaking.behind the scenes of Carry Ons

It has often been noted that historically, a defining characteristic of most British sex comedies – particularly in the period after the censorship rules were relaxed slightly at the turn of the 1970s – is that they were "neither sexy nor funny".


The Confessions series
The Confessions series consisted of four sexual comedy films released during the 1970s starring . The films in the Confessions series— Confessions of a Window Cleaner, Confessions of a Driving Instructor, Confessions of a Pop Performer, and Confessions from a Holiday Camp—concern the erotic adventures of Timothy Lea and are based on the novels of Christopher Wood, writing as Timothy Lea.

Soon came Adventures of..., directed by , which started with Adventures of a Taxi Driver, starring sitcom star Barry Evans, and was followed by Adventures of a Private Eye and Adventures of a Plumber's Mate, starring future record producer . Long began his career as a photographer before producing striptease shorts (or "glamour home movies", as they were sometimes known), for the 8 mm market. Beginning in the late fifties, Long's feature film career would span the entire history of the British sex film, and as such exemplifies its differing trends and attitudes. His work ranges from coy nudist films ( 1959), to moralizing documentary ( The Wife Swappers, 1970) to a more relaxed attitude to permissive material ( Naughty!, 1971) to out and out comedies at the end of the 1970s. He did not like and was dismissive of pornography, saying it did not turn him on and he turned his back when such scenes were being filmed.


Carry Ons become sexy
British sexual comedy films became mainstream with the release in 1976 of Carry On England, starring , , and , in which an experimental mixed-sex anti-aircraft battery in wartime is enjoying making love not war. However, the arrival of the new Captain S. Melly brings an end to their cosy life and causes terror in the ranks.

In Carry On Emmannuelle, the beautiful Emmannuelle Prevert just cannot get her own husband into bed. A spoof of , the film revolves around the eponymous heroine () and her unsuccessful attempts to make love to her husband, Emile (), a French ambassador. Emile grants Emmannuelle permission to sleep with anyone she likes, and her promiscuity turns her into a celebrity and a frequent talk show guest. Meanwhile, Theodore Valentine is besotted by her and wants them to get married. But Emmannuelle is obsessed with arousing her husband's sexual desire at almost any cost. This was the last of the original Carry On films.


Sleaze and sexploitation
Producer/director Kenneth F. Rowles made a copycat cash-in with his The Ups and Downs of a Handyman. His next movie, Take an Easy Ride, purports to be a public information film warning of the dangers of but is actually a film showing young girls being sexually assaulted and murdered (although Rowles says he had to add those scenes on request of the movie's distributor).'s documentary ''British

Films like Dreams of Thirteen, The Younger the Better, Geilermanns Töchter - Wenn Mädchen mündig werden, Erika's Hot Summer, Mrs. Stone's Thing, and Come Play With Me played in and elsewhere, but with the arrival of the Margaret Thatcher government in 1979 the was abolished in 1985, killing off the genre.


French sexual comedy
Some French coming of age films contain many themes of the modern "sex comedy" genre, such as Murmur of the Heart.


Italian sexual comedy
The commedia sexy all'italiana (), also known as commedia scollacciata or commedia erotica all'italiana, is a subgenre of Italian commedia all'italiana . It is characterized typically by both abundant female nudity and comedy, and by the minimal weight given to social criticism that was instead basic in the commedia all'italiana main genre.
(2009). 9781441160690, Continuum International Publishing Group, 2009.


Indian sexual comedy
Since the 2010s many Indian films and TV shows have been made in the sexual comedy genre. There was initially a hesitant reaction to them but this was followed by gradual acceptance. Examples of the genre include , , the Masti film series, , the Pyaar Ka Punchnama film series, the Kyaa Kool Hai Hum film series, Guddu Ki Gun, In Bengali languages Teen Yaari Katha, .The Four More Shots Please! In Hindi And , in Bengali streaming TV show. Widely available and affordable Internet connections have been available in India since 2016, and this combined with affordable over-the-top media services have contributed to increased production of the genre. However, the conservative political and social culture that has been prevalent in the country since 2014 has been very critical of sexual comedies. Sexual films and TV shows in general are subject to far more intense attacks on social media in India than are seen in other countries. Despite such criticisms the rate of sexual comedy production has not slowed.


Japanese sexual comedy
In Japanese, sexy movies or TV shows tend to be referred to as 'oiroke' お色気 which might be translated as 'with a tinge of colour.' '' ピンク映画 are more narrowly sexy films made by independent studios for release to adult theatres. The traditional word for comedy is 'kigeki' 喜劇. It was applied to Kyōgen, short comic plays performed in theatres. The word 'kigeki' is also used in the titles of some movies from the 1960s, but more recently the loan word 'komedi' コメディ has become the usual way of referring to humorous films or TV shows.

In 1959 director produced an adaptation of Junichirō Tanizaki's novel The Key titled wherein a man whose powers are failing finds he can restore his vigor by spying on his daughter and her fiancé, so he hatches a scheme to involve his wife. 's 1964 film adaptation of Junichirō Tanizaki's novel Quicksand (Manji) took a tongue-in-cheek approach to the melodrama of a housewife falling in love with a younger woman. released The Pornographers in 1966, parodying the workings of a small pornographic film company.

In 1970–1 Yuji Tanno and directed a number of movies based on 's manga . 's manga has also been adapted into a movie and several Original Videos. has directed a number of sex comedies: Ero Shogun to Juuichinin no Aishou (The Erotic Shogun and his 11 Concubines 1972), Onsen Mimizu Geisha (Hot Springs Worm Geisha 1972), Onsen Suppon Geisha (Hot Springs Turtle Geisha 1972) all for big budget studio as well as the teen sex comedy Pantsu no Ana (Hole in her Panties 1984).

Yoshimitsu Morita has directed a number of racey comedies including Something Like It (No You na Mono) (1981), Hot Stripper (Maru Hon Uwasa no Sutorippaa)(1982) and 24 Hour Playboy (Ai to Heisei no Iro Otoko) (1989). Director 's films such as The Funeral, and A Taxing Woman are comedies principally about non-sexual topics, but all have a side story that deals with sex, and features nudity. 's Getting Any? movie is about the quest for sex. 's Roman Porno series was usually fairly serious, but Morita's Love Hard Love Deep and manga adaptation were Roman Pornos, and other films in the series such as Pink Tush Girl and have been described as comedies.

Recently there has been a spate of sexy coming of age comedies, e.g. 's Oppai Volleyball and live action adaptations of the manga Tokyo Daigaku Monogatari, , and Recently, My Sister Is Unusual.

The 2003 Japanese TV drama Stand Up! starring Kazunari Ninomiya is the story of four virgin boys, and bears some resemblance to American sex comedies of the 1980s.


See also


Further reading
  • McDonald, Tamar Jeffers. 2007. Romantic Comedy: Boy Meets Girl Meets Genre. Wallflower Press
  • McDonald, Tamar Jeffers, ed. 2010. Virgin Territory: Representing Sexual Inexperience in Film. Wayne State University Press.
  • Sheridan, Simon. 2011. Keeping the British End Up: Four Decades of Saucy Cinema. Titan Books. 4th edition.

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