This article describes several characteristic architectural elements typical of European (Stone Age) structures.
In European megalithic architecture, forecourts are curved in plan with the entrance to the tomb at the apex of the open semicircle enclosure that the forecourt creates. The sides were built up by either large upright stones or walls of smaller stones laid atop one another.
Some also had paved floors and some had Burial stone erected in front of them to seal the tomb such as at West Kennet Long Barrow. Their shape, which suggests an attempt to focus attention on the tomb itself may mean that they were used ceremonially as a kind of open air auditorium during ceremonies. Excavation within some forecourts has recovered animal bone, pottery and evidence of burning suggesting that they served as locations for votive offerings or feasting dedicated to the dead.
European , especially hunebed and dyss burials, often provide examples of the use of kerbs in architecture but they were also added to other kinds of chamber tomb. Kerbs may be built in a dry stone wall method employing small blocks or more commonly using larger stones set in the ground. When larger stones are employed, peristalith is the term more properly used. Often, when the earth barrow has been weathered away, the surviving kerb can give the impression of being a stone circle although these monuments date from considerably later. Excavation of barrows without stone rings such as Fussell's Lodge in Wiltshire suggests that, in these examples, timber or turf was used to define a kerb instead.
In the British Isles, the enclosing nature of kerbs has been suggested to be analogous to later Neolithic and Bronze Age stone and and which also demonstrate an attempt to demarcate a distinct, circle area for ritual or funeral purposes. Famous sites with kerbs include Newgrange where many of the stones are etched with megalithic art. An example of the dry stone wall type of kerb can be seen at Parc le Breos in Wales.
Many orthostats were a focus for megalithic art, as at Knowth in Ireland.
In the context of classical Greek architecture the term orthostate is usually used.
The word trilithon is derived from the Greek language "having three stones" ( tri - "three", lithos - "stone") and was first used by William Stukeley. The term also describes the groups of three stones in the Hunebed tombs of the Netherlands and the three massive stones forming part of the wall of the Temple of Jupiter at Baalbek, Lebanon.
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