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A nasheed (, ) is a work of , partially coincident with , that is either sung or with instruments, according to a particular style or tradition within .

Nasheeds (or anasheed, the plural in Arabic) are popular throughout the . The material and lyrics of a nasheed usually reference Islamic beliefs, history, religion, and current events.

(2009). 9781845117627, I. B. Tauris. .

A nashīd performer is called a nashidist in English and munshid in Arabic (, , ).


Scholars on instruments
The founders of all four of the major – Islamic schools of thought – and many other prominent scholars, have debated the legitimacy and use of musical instruments. For instance, according to the school of thought, associated with the scholar , if a person is known to play musical instruments to divert people from God, their testimony is not to be accepted.

According to the widely acknowledged book of authentic hadiths of scholarship, taught that musical instruments are sinful:

Abu 'Amir or Abu Malik Al-Ash'ari a said that he heard Muhammad saying: "From among my followers there will be some people who will consider illegal sexual intercourse, the wearing of silk, the drinking of alcoholic drinks and the use of musical instruments, as lawful. And there will be some people who will stay near the side of a mountain and in the evening their shepherd will come to them with their sheep and ask them for something, but they will say to him, 'Return to us tomorrow.' Allah will destroy them during the night and will let the mountain fall on them, and He will transform the rest of them into monkeys and pigs and they will remain so till the Day of Resurrection." Https://sunnah.com/bukhari/74/16.< /ref>

There is also evidence for music being permitted in the same book. said:

Abu Bakr came to my house while two small Ansari girls were singing beside me the stories of the Ansar concerning the Day of Buath. And they were not singers. Abu Bakr said protestingly, "Musical instruments of Satan in the house of Allah's Messenger!" It happened on the `Id day and Allah's Messenger said, "O Abu Bakr! There is an `Id for every nation and this is our `Id." Https://sunnah.com/bukhari:952.< /ref>

A few historical Islamic scholars such as have also said that musical instruments may be used as long as the songs are not promoting that which is .


Modern interpretations
A new generation of nasheed artists use a wide variety of musical instruments in their art. Many new nasheed artists are non-Arabs and sing in different languages. Some nasheed bands are , , and . Other well-known artists are , (formerly known as ), , , Vital Signs, , Harris J, Siedd, Sulthan Ahmed, , , Rahat Fateh Ali Khan, , Raef, , S'nada, , , Muhammad Al Muqit, Mishary Rashid Al-Afasy, Abu Ubayda, Abu Ali (Musa al-Umaira), Abu Abd ul-Malik (Mohsin al-Dosari) and Abu Assim.

Nasheed artists appeal to a worldwide Muslim audience and may perform at Islamic oriented festivals (such as ), conferences, concerts and shows, including ISNA. Other artists and organisations such as Nasheed Bay promote an instrument-free stance, differing from the current trends of the increasing usage of instruments in nasheeds.

Many groups such as don't follow the ruling of musical instruments in Islam. Their nasheeds are filled with and extreme . In nasheeds, the singer mostly shouts and praises . Some Bosnian nasheeds during the were sung within the genre .


Propaganda
Nasheeds are also used to spread propaganda. A notable example is from a nasheed called This Is the Home of the Brave. is known for the use of nasheeds in their videos and propaganda, notable examples being the arabic chant Dawlat al-Islam Qamat ("The Islamic State Has Been Established"), which came to be viewed as an unofficial anthem of ISIS, and ("Clashing of Swords"). ISIS also spreads nasheeds in the Spanish language. Famous jihadist munshids include and Abu Hajer al-Hadhrami.
(2020). 9783964100023, Books on Demand.

In 2017, a activist in claimed that nasheeds caused radicalisation, stating that "there's no doubt that anashīd played an important role in stirring up the young people and encouraging them to fight in these wars. People listen to anashīd, and they cry. They try to get people emotional, excited, to inspire them. Their aim is to target young people who aren't clear in their minds, to get them to join their jihad. This is not true Islam, persuading young people to go and get themselves killed."Soundscapes of Uyghur Islam, Rachel Harris, 2020, pp. 161


See also

Further reading
  • Thibon, Jean-Jacques, "Inshad", in Muhammad in History, Thought, and Culture: An Encyclopedia of the Prophet of God (2 vols.), edited by C. Fitzpatrick and A. Walker, Santa Barbara, ABC-CLIO, 2014, Vol. I, pp. 294–298. .

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