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Guajira is a music genre derived from the punto cubano. According to some specialists,Galán, Natalio: Cuba y sus sones, Pre-Textos, Artegraf S.A., Madrid, España, 1997, p. 29. the punto cubano was known in Spain since the 18th century, where it was called "punto de La Habana", and by the second half of the 19th century it was adopted by the incipient Spanish Flamenco style, which included it within its "palos" with the name of guajira.Manuel, Peter: The guajira between Cuba and Spain: A study in continuity and change. Latin American Music Review, volume 25, No. 2, Fall/Winter, 2004. Guajira was utilized by Spanish Zarzuela composers, such as Ruperto Chapí, who included it in his well known play "La Revoltosa", from 1897. Two years later, in 1899, the Cuban composer Jorge Anckermann inaugurated a new genre with his song "El arroyo que murmura", the first Cuban guajira.Díaz Ayala, Cristóbal: Discografía de la Música Cubana. Editorial Corripio C. por A., República Dominicana, 1994, p. 179. This song became a model that was adopted by many other Cuban composers at a later time, and was frequently included in the Cuban Zarzuela and vernacular theater.
The Cuban guajira preserved the characteristic rhythm of its ancestors, the punto cubano and the Spanish guajira, which was the sesquiáltera or horizontal Hemiola.
Its form usually alternates a first section in minor mode, with a second section modulating to its direct Major relative. Its lyrics frequently refer to rural themes in an idealistic and bucolic way, and generally evoke the goodness of rural life and romantic love stories.Sánchez de Fuentes, Eduardo 1923. El folklore en la música cubana. La Habana. p56
Other renowned performers of guajira-son were Celina González, Coralia Fernández, Ramón Veloz y Radeúnda Lima. One of the most famous guajiras-son is the italic=no, composed by Joseíto Fernández and internationally popularized during the 1960s by the American folk singer Pete Seeger.
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