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Shango (: , also known as Changó or Xangô in ; as Jakuta or Badé; and as Ṣangó in

(2025). 9780415941808, .
) is an (or spirit) in . Genealogically speaking, Shango is a royal ancestor of the as he was the third of the prior to his posthumous . Shango has numerous manifestations, including Airá, Agodo, Afonja, Lubé, and Obomin. He is known for his powerful double axe ( Oṣè). He is considered to be one of the most powerful rulers that has ever produced.

In the , he is syncretized with either or .


Historical figure
Ṣàngó was the third Alaafin of Oyo, following and . He brought prosperity to the . According to Professor Mason's Mythological Account of Heroes and Kings, unlike his peaceful brother Ajaka, he was a powerful and violent ruler. He reigned for seven years which were marked by his continuous campaigns and many battles. His reign ended due to the inadvertent destruction of his palace by lightning. He had three wives, namely Queen , Queen Obba, and Queen .

Some of the slaves brought to the Americas were Yoruba, one of the various ethnic groups drawn into the Atlantic slave trade, and they brought the worship of Ṣàngó to the New World as a result. Strong devotion to Ṣàngó led to Yoruba religions in Trinidad and , Brazil being named after the deity.


Veneration of Ṣàngó

Nigeria
Ṣàngó is viewed as the most powerful of the orisha pantheon and is often described in two differing narratives.
(2025). 9780253220943, Indiana University Press.
In the first narrative, Ṣàngó casts a "thunderstone" to earth, which creates thunder and lightning, to anyone who offends him. Worshippers in in do not eat because they believe that the wrath of the god of thunder and lightning would descend on them. In the second narrative, Ṣàngó is gifted with the ability to breathe fire and smoke through his nostrils and is known for being angered by his quarrelsome wives. These narratives also encapsulate the virility, bravery, and governance of Ṣàngó. While he was feared for tyranny and destructive powers, he was also highly revered for his bravery, fairness, and tremendous powers.

The Ṣàngó god necklaces are composed of varying patterns of red and white beads, usually in groupings of four or six, which are his sacred numbers. Rocks created by lightning strikes are venerated by Ṣàngó worshipers; these stones, if found, are maintained at sacred sites and used in rituals. Ṣàngó is called on during coronation ceremonies in Nigeria to the present day.

In Yorubaland, Ṣàngó is worshipped on the fifth day of the week, which is named Ojo Jakuta. Ritual worship foods include guguru, bitter cola, àmàlà, and gbegiri soup. Also, he is worshipped with the Bata drum. One significant thing about this deity is that he is worshipped using red clothing, just as he is said to have admired red attire during his lifetime.


The Americas
Ṣàngó is venerated in Santería as "Changó". As in the Yoruba religion, Changó is one of the most feared gods in Santería.

In Haïti, he is from the "Nago" Nation, and is known as Ogou Chango. Palo recognizes him as "Siete Rayos".


Candomblé
Ṣàngó is known as Xangô in the Candomblé pantheon. He is said to be the son of , and his wives include , , and Oba, as in the Yoruba tradition. Xangô took on strong importance among slaves in Brazil for his qualities of strength, resistance, and aggression. He is noted as the god of lightning and thunder. He became the patron of plantations and many Candomblé terreiros. In contrast Oko, the orixá of agriculture, found little favor among slaves in Brazil and has few followers in the Americas. The main barracão of Ilê Axé Iyá Nassô Oká, or the terreiro Casa Branca, is dedicated to Xangô. Xangô is depicted with an oxê, or double-sided ax similar to a ; and a brass crown.


Characteristics
  • Consecrated day: Friday
  • Colors: white and red
  • Elements: thunder, lightning, fire
  • Sacred food: amalá (a swallow food made of yam, cassava flour, or unripe plantain flour called èlùbọ́)
  • Instruments: oxê, a double ax; bangles; brass crown; Thunder Stones, or objects struck by lightning
  • Garment: red cloth with printed white squares or cowrie shells
  • Necklace or Elekes: white and red beads
  • Archetype: power, dominance
  • Sacred dance: alujá, the roda de Xangô. It speaks of his achievements, deeds, consorts, power, and dominion
  • Sacrificial animals: fresh water turtle, male goat, sheep

Amalá, also known as amalá de Xangô, is the ritual dish offered to the orixá. It is a stew made of chopped okra, onion, dried shrimp, and palm oil. Amalá is served on Wednesday at the pegi, or altar, on a large tray, traditionally decorated with 12 upright uncooked okra. Due to ritual prohibitions, the dish may not be offered on a wooden tray or accompanied by . Amalá de Xangô may also be prepared with the addition of beef, specifically an ox tail. Amalá de Xangô is different than àmàlà, a dish common to Yoruba areas of Nigeria.


In popular culture
  • "Shango (Chant to the God of Thunder)" is a track from Drums of Passion, an album released by Babatunde Olatunji in 1960.
  • "Shango" is the title of a track on his 2016 album .
  • The song "Que Viva Chango" by Celina y Reutilio refers both to Chango and to Santa Barbara.
  • Shango is a large theme in the song "Congo Man".
  • Caliban invokes Shango in Aimé Césaire's play Une Tempête ( A Tempest).
  • Shango appears as a minor character in The Iron Druid Chronicles by .
  • "Shango" is a bonus track on Guadalcanal Diary's album 2x4.
  • Chango is portrayed by Wale in season 3 of American Gods.
  • FC Shango is an American men's recreational football club based in Minnesota and was formed in 1992. Competing in the highest division in amateur soccer in Minnesota, FC Shango won the state amateur soccer tournament in 2017, and currently has three teams: MASL D2, MSSL O40, and O50. They are the 2023 over 50 Masters League champions of the Minnesota Senior Soccer League MSSL. [1].
  • Shango is the fifth album released by the multi-genre trance group .


Bibliography
  • Johnson, Samuel, History of the Yorubas, London 1921 (pp. 149–152).
  • Law, Robin: The Oyo Empire c. 1600 – c. 1836, Oxford 1977.
  • Seux, M.-J., Épithètes royales akkadiennes et sumériennes, Paris 1967.
  • Tishken,Joel E., Tóyìn Fálọlá, and Akíntúndéí Akínyẹmí (eds), Sàngó in Africa and the African Diaspora, Bloomington, Indiana: Indiana University Press, 2009.


Further reading
  • Charles Spencer King, "Nature's Ancient Religion: Orisha Worship & IFA"
  • Charles Spencer King, "IFA Y Los Orishas: La Religion Antigua De LA Naturaleza"


External links

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