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   » » Wiki: Upekṣā
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() is the concept of . As one of the or "virtues of the "Brahma realm" (brahmaloka), it is one of the wholesome mental factors ((kuśala cetasika) cultivated on the Buddhist path to nirvāna through the practice of jhāna.


Pali literature
Many passages in the and post-canonical identify upekkhā as an important aspect of spiritual development. It is one of the Four Sublime States of Brahmavihara, which purify mental states capable of counteracting the of lust, aversion, and ignorance. As a Brahmavihara, it is also one of the forty traditionally identified subjects of Buddhist meditation (kammaṭṭhāna). In the list of ten pāramī (perfections), is the last-identified practice, and in the Seven Factors of Awakening (), it is the ultimate characteristic to develop.

To practice is to be unwavering or to stay neutral in the face of the eight vicissitudes of life which are otherwise known as the eight directions of worldly winds or eight worldly conditions: loss and gain, good-repute and ill-repute, praise and censure, and sorrow and happiness (the ).

In the development of meditative concentration, upekkhā arises as the quintessential factor of material absorption, present in the third and fourth jhāna states.

In post-canonical text, the "far enemies" of upekkhā are and resentment driven by desire and anger, which are mind-states that are in obvious opposition. The "near enemy", the quality which superficially resembles upekkhā but which subtly opposes it, is indifference or .

identifies ten canonical contexts for upekkhā: (1) the destruction of the ("six-factored equanimity," based on the six sense bases); (2) a ; (3) a bojjhaṅgā; (4) as arising from a balancing of energy; (5) a "formation" arising from concentration or insight; (6) a vedanā (that is, a synonym for "profitable" adukkham-asukhā); (7) arising from insight from ; (8) a "specific neutrality"; (9) "equanimity of jhana" ("impartiality towards even the highest bliss"); and, (10) "purifying equanimity" ("equanimity purified of all opposition").Buddhaghosa, op cit., IV, 156-182, pp. 156-160.


Contemporary exposition
, an American , wrote:


See also
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