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Algiz (also Elhaz) is the name conventionally given to the " z-rune" of the . Its transliteration is z, understood as a phoneme of the Proto-Germanic language, the terminal *z continuing Proto-Indo-European terminal *s via Verner's law.

It is one of two which express a phoneme that does not occur word-initially, and thus could not be named , the other being the ŋ-rune . As the terminal *-z phoneme marks the nominative singular of masculine nouns, the rune occurs comparatively frequently in early epigraphy.

Because this specific phoneme was lost at an early time, the Elder Futhark rune underwent changes in the medieval runic alphabets. In the Anglo-Saxon futhorc it retained its shape, but became otiose as it ceased to represent any sound in an Old English. However, possibly due to runic manuscript tradition, it was occasionally used to transliterate the Latin letter X into the runic script.

In Proto-Norse and , the Germanic *z phoneme developed into an R sound, perhaps realized as a retroflex approximant , which is usually transcribed as ʀ. This sound was written in the using the Yr rune , the Algiz rune turned upside down, from about the 7th century. This phoneme eventually became indistinguishable from the regular r sound in the later stages of Old Norse, at about the 11th or 12th century.

The shape of the rune may be derived from that of a letter expressing /x/ in certain Old Italic alphabets (), which was in turn derived from the Greek letter Ψ which had the value of /kʰ/ (rather than /ps/) in the Western Greek alphabet. Alternatively, the rune may have been an original innovation, or it may have been adapted from the classical Latin alphabet's Y,. or from the Rhaetic alphabet's Z..


Name
The Elder Futhark rune is conventionally called Algiz or Elhaz, from the word for "".

There is wide agreement that this is most likely not the historical name of the rune, but in the absence of any positive evidence of what the historical name may have been, the conventional name is simply based on a reading of the rune name in the Anglo-Saxon rune poem, first suggested by ( Über deutsche Runen, 1821), as eolh or eolug "elk".

Like the , the z-rune is a special case inasmuch as it could not have been named acrophonically, since the sound it represents did not occur in word-initial position. Choosing a name that terminates in -z would have been more or less arbitrary, as this was the nominative singular suffix of almost every masculine noun of the language. Since the name eolh, or more accurately eolh-secg "elk-sedge" in the Anglo-Saxon rune poem represents not the rune's original sound value, but rather the sound of Latin x (/ks/), it becomes highly arbitrary to suggest that the original rune should have been named after the elk.

There are a number of speculative suggestions surrounding the history of the rune's name. The difficulty lies in the circumstance that the Younger Futhark rune did not inherit this name at all, but acquired the name of the obsolete rune, as yr. The only independent evidence of the Elder Futhark rune's name would be the name of the corresponding , ezec. The Gothic letter was an adoption of Greek , and while it did express the /z/ phoneme, this Gothic sound only rarely occurred terminally. Instead, it is found mostly in positions where West and North Germanic have r, e.g. Gothic máiza "greater" (Old Norse meira, English more).

The name of the Anglo-Saxon rune is variously recorded as eolx, eolhx, ilcs, ilx, iolx, ilix, elux.Alan Griffiths, 'Rune-names: the Irish connexion' in: Stoklund et al. (eds.), Runes and their secrets: studies in runology, Museum Tusculanum Press, 2006, pp. 93-101.

Manuscript tradition gives its sound value as Latin x, i.e. /ks/, or alternatively as il, or yet again as " l and x". The reading of this opaque name as eolh "elk" is entirely due to the reading of the Anglo-Saxon rune poem's secg as eolh-secg ( eolx-secg, eolug-secg, eolxecg) "elk-sedge", apparently the name of a species of sedge ( ). This reading of the poem is due to Wilhelm Grimm (1821), and remains standard. The suggestion is that this compound is realized as eol k-secg, thus containing the Latin x (/ks/) sound sequence. The manuscript testimony that the rune is to be read as il would then be simply a mistaken assumption that its name must be acrophonic.

The name of the corresponding Gothic letter ezec, however, suggests that the old name of this rune was not just eolx, but the full eolh-secg. This is puzzling, because the sound value of the rune was clearly not /ks/ in the Elder Futhark period (2nd to 4th centuries). Furthermore, the name of the sedge in question is recorded in the older Epinal-Erfurt glossary as ilugsegg (glossing papiluus, probably for papyrus), which cannot be derived from the word for elk.Bruce Dickins, Runic and Heroic Poems of the Old Teutonic Peoples, Cambridge, 1915, p. 17, note 41.

A suggestion by Warren and Elliott takes the Old English eolh at face value, and reconstructs a Common Germanic form of either *algiz or *alhiz. They cite a "more fanciful school" which assumes an original meaning of "elk" based on a theonym Alcis recorded by Tacitus (suggesting that the name would have been theophoric in origin, referring to an "elk-god"). The authors dismiss the Old English "elk-sedge" as a late attempt to give the then-obsolete rune a value of Latin x. Instead, they suggest that the original name of the rune could have been Common Germanic *algiz ('Algie'), meaning not "elk" but "protection, defence".Ralph Warren, Victor Elliott, Runes: an introduction, Manchester University Press ND, 1980, 51-53.

Redbond (1936) suggested that the eolhx (etc.) may have been a corruption of helix. Seebold (1991) took this up to suggest that the name of the rune may be connected to the use of elux for helix by Notker to describe the constellation of (as turning around the celestial pole).

An earlier suggestion is that of (1855), to the effect that the earliest value of this rune was the labiovelar /hw/, and that its name may have been hweol "wheel".Julius Zacher, "Die rune eolh" in: Das gothische Alphabet Vulfilas und das Runenalphabet, Brockhaus, 1855, 72-120.


– Elder Futhark
In the , Algiz represents the Germanic phoneme *z, which does not occur word-initially.

It is attested in final position in the earliest inscriptions, e.g. in (), þewaz (). It was presumably present in the Ovre Stabu spearhead inscription (ca. AD 180), reading raunijaz, but is hardly legible now. The Nydam axe-handle (4th century) has the name wagagastiz. The Golden Horns of Gallehus (early 5th century) had the personal name hlewagastiz holtijaz.

In the earliest inscriptions, the rune invariably has its standard Ψ-shape. From the 5th century or so, the rune appears optionally in its upside-down variant which would become the standard Younger Futhark yr shape. There are also other graphical variants; for example, the has a superposition of these two variants, resulting in an "asterisk" shape ().


– Anglo-Saxon futhorc
The name of the Anglo-Saxon rune is variously recorded as eolx, ilcs, ilix, elux, eolhx. Manuscript tradition gives its sound value as Latin x, i.e. /ks/, or alternatively as il, or yet again as " l and x". The relevant stanza of the Anglo-Saxon rune poem reads:Dickins, Bruce, Runic and heroic poems of the old Teutonic peoples (1915), p. 16.
secgard hæfþ oftust on fenne
ƿexeð on ƿature, ƿundaþ grimme
blode breneð beorna gehƿẏlcne
ðe him ænigne onfeng gedeþ.
Reading the rune as eolhx (as discussed above), and with the emendation of seccard to secg eard due to Grimm (1821), the stanza becomes about a species of sedge ( ) called "elk-sedge". In the translation of Page (1999):Page (1999:71).
The Elk-sedge usually lives in the fen,
growing in the water. It wounds severely,
staining with blood any man
who makes a grab at it.

The 9th-century abecedarium anguliscum in Codex Sangallensis 878 shows eolh as a peculiar shape, as it were a of the older with the Younger Futhark , resulting in an "asterisk" shape similar to ior .

The only known instance where the rune does take the sound value of Latin x in epigraphy is the spelling of rex "king" on the interlace of king (mid 8th century). Furthermore, it appears in the inscription on St Cuthbert's coffin (late 7th century) in the abbreviation of the name , where Greek is taken as Latin xps and rendered as runic ᛉᛈᛋ.


– Younger Futhark
In the 6th and 7th centuries, the Elder Futhark started changing and eventually began being replaced by the in Scandinavia. For a period, both were in use (see for example the Rök runestone), but by the 9th century, the Elder Futhark was extinct as its own writing system, and Scandinavian runic inscriptions were exclusively written in Younger Futhark, however, knowledge of the older system remained onward for some period, as shown with the Östergötland Runic Inscription 43 from the mid 9th century, which utilizes a ᛞ dagr rune as part of the inscription.

The Yr rune is a of the . Its common transliteration is a ʀ (and its uppercase form would be Ʀ). The shape of the Yr rune in the Younger Futhark is the inverted shape of the Elder Futhark rune (). Its name yr ("") is taken from the name of the Elder Futhark rune.

Its phonological value is the continuation of the phoneme represented by Algiz, the word-final *-z in . In it is pronounced closer to , perhaps . Within later Old Norse, the Proto-Norse phoneme collapses with by the 12th century.

has (IPA’s symbol for the ). A corresponding capital letter is at . The rune itself is encoded at . Its variants are () and (). Unicode Character 'LATIN LETTER YR' (U+01A6) at Fileformat.info. Unicode Character 'LATIN LETTER SMALL CAPITAL R' (U+0280)


Derivatives

– Younger Futhark
Independently, the shape of the Elder Futhark Algiz rune reappears in the Younger Futhark Maðr rune , continuing the Elder Futhark rune .


– Anglo-Saxon
The Anglo-Saxon k-rune ᛣ ( Calc) has the same shape as Younger Futhark yr, but is unrelated in origin, being a modification or "doubling" of the c-rune ( Cēn).


Modern usage

"Life rune" and "death rune"
19th Century German occultist Guido von List introduced the use of the , which were based on the Elder & Younger Futhark. In List's context, the Man rune (identical in shape to the Elder Futhark Algiz) came to be understood in the Germanic mysticism of the early 20th century as symbolizing "life" and called the "life rune" (). This term occurs as early as the 1920s in the literature of .Hermann Schwarz, Gott jenseits von theismus und pantheismus, Junker und Dünnhaupt, 1928.[4]

The Yr rune from the Younger Futhark came to be seen as the "life rune" inverted, and so interpreted as "death rune" ( Todesrune).


Nazism
Guido von List's beliefs incorporated and , and his runic system was later adopted and modified by Karl Maria Wiligut who was responsible for their adoptions in . Algiz came to be widely used within the and , e.g. in official prescriptions for the various uniforms of the .Robert Ley, Organisationsbuch der NSDAP (1943)[5].

During the World War II era, the "life-rune" and "death rune" came to be used in obituaries and on tomb stones as marking birth and death dates ( for "born", for "died"), replacing asterisk and cross symbols (* for "born", † for "died") conventionally used in this context in Germany. It has always been clear that this association is an innovation of modern esotericism, without direct precedent in the medieval usage of the Younger Futhark alphabet. This fact was pointed out in an article in the German journal Stimmen der Zeit as early as in 1940. Stimmen der Zeit, vol. 137, Abtei Maria Laach, Herder, 1940


Pop culture
The neo-folk group Death in June used the Algiz in their cover of their double LP The Wörld Thät Sümmer, alongside their "Totenkopf 6" logo.

The term "death rune" has been used in the context of esotericist or occultist aesthetics associated with , in the name of Deathrune Records (as of 2011), formerly Die Todesrune Records, a minor black metal record label. Die Todesrune Records, Encyclopaedia Metallum (2011).


Contemporary neopaganism
As with other Futhark runes, Algiz is commonly used as a symbol of faith.

Following (1982), the Algiz rune is given a sense of "protection" in some modern systems of .e.g. "Protection, a shield. The protective urge to shelter oneself or others. Defense, warding off of evil, shield, guardian" Meanings of the Runes (sunnyway.com). "It is a powerful rune of protection and, spiritually, it symbolizes reaching up to the divine." ALGIZ - The Rune of Protection and Opportunity (runemaker.com). "protection, assistance, defense, warning, support, a mentor, an ethical dilemma" The Meanings of the Runes (runestones.com). Blum (1982) himself glosses for Algiz with "Protection; Sedge or Rushes; An Elk".Blum (1982), pp. 86f. "The protection of the Warrior is like the curved horns of the elk, or like the sedge grass, for both serve to keep open space around you."

Blum's gloss "protection" is apparently inspired by the "more fanciful school" deriving the rune's name from Alcis cited by Warren and Elliot (1980, discussed above)


Contemporary fascism
Due to its use in Nazi Germany, Algiz is also used as a present-day fascist symbol, including use in white supremacism and ecofascism. Contemporary examples include use by the American National Alliance (as of 2007),From the official National Alliance website: "The Life Rune signifies life, creation, birth, rebirth, and renewal. It expresses in a single symbol the raison d’etre of the National Alliance and of the movement of Aryan renewal." "The Life Rune: an ancient symbol used by the National Alliance" (natall.com). and in reference to the Algiz rune in the logo of the Flemish nationalist as levensrune (as of 2016). Https://www.voorpost.org/ons-symbool-de-algiz-rune/" target="_blank" rel="nofollow"> Ons symbool, de Algiz rune (voorpost.org) Since Algiz is also commonly used by non-racist groups and individuals, the rune does not automatically indicate the presence of fascism or racism: its meaning depends on the context where it is used."Because the Life Rune also continues to be used by non-racists, typically adherents of neo-pagan religions, one should not simply assume that a particular use of this symbol is racist, but should carefully judge it in its context." Https://www.adl.org/resources/hate-symbol/life-rune< /ref>


See also


Notes

Further reading
  • Dobbie, Elliott Van Kirk (1942). The Anglo-Saxon Minor Poems. Columbia University Press. .
  • Page, R. I. (1999). An Introduction to English Runes. Boydell Press, page 71. .

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