Ents are giant humanoids in J. R. R. Tolkien's fantasy world of Middle-earth who closely resemble ; their leader is Treebeard of Fangorn forest. Their name is derived from an Old English word for "giant".
The Ents appear in The Lord of the Rings as ancient shepherds of the forest and allies of the free peoples of Middle-earth during the War of the Ring. The Ent who figures most prominently in the book is Treebeard, who is called the oldest creature in Middle-earth. At that time, there are no young Ents (Entings) because the Entwives (female Ents) were lost. Akin to Ents are Huorns, whom Treebeard describes as a transitional form of trees which become animated or, conversely, as Ents who grow more "treelike" over time.
Tolkien stated that he was disappointed by Shakespeare's handling of the coming of "Great Birnam Wood to High Dunsinane hill"; he wanted a setting in which the trees would actually go to war. Commentators have seen this as wish-fulfilment, as he disliked the damage being done to the English countryside in his lifetime. Scholars have seen his tale of the Ents as a myth, mostly without analysing it. Corey Olsen interprets the song of the Ents and the Entwives as a myth that warns of the dangers of apathetically isolating oneself in nature, whereas the Ents' song "In the willow-meads of Tasarinan" is a lament.
Inspired by Tolkien and similar traditions, animated or anthropomorphic tree creatures appear in a variety of media and works of fantasy.
Ents are somewhat treelike, with extraordinarily tough skin; they can erode stone rapidly, but are vulnerable to fire and axe-strokes. They are patient and cautious, with a long sense of time; they considered a three-day deliberation "hasty".
Ents are tall and very strong, capable of tearing apart rock and stone when "roused". Tolkien describes them as tossing great slabs of stone about, and ripping down the walls of Isengard "like bread-crust"., book 3, ch. 9: "Flotsam and Jetsam". Treebeard boasted of their strength to Merry and Peregrin Took; he said that Ents were much more powerful than Trolls, which Morgoth made in the First Age in mockery of Ents, as were of Elves.
Tolkien spent much time considering the fate of the Entwives, stating in Letters #144: "I think that in fact the Entwives have disappeared for good, being destroyed with their gardens in the War of the Last Alliance...some may have fled east, or even have become enslaved..."
After Aragorn is crowned king, he promised Treebeard that the Ents could prosper again and spread to new lands with the threat of Mordor gone, and renew their search for the Entwives. Treebeard lamented that forests may spread but the Ents would not, and he predicted that the few remaining Ents would remain in Fangorn forest and dwindle or become "treeish".
In Sindarin, one of Tolkien's invented , the word for Ent is Onod (plural Enyd). The Sindarin word Onodrim means the Ents as a race. Index, entries for Ent, Enyd, and Onodrim.
Nick Groom suggests some other possible sources, besides Shakespeare. The Gospel of Mark has the speech by a man cured of blindness "I see men as trees, walking."(Mark 8:24) Algernon Blackwood's 1912 story "The Man Whom the Trees Loved" suggests that "trees had once been moving things, animal organisms of some sort, that had stood so long feeding, sleeping, dreaming, or something, in the same place, that they had lost the power to get away", which Groom remarks sounds just like Treebeard's account of Ents going "sleepy and 'tree-ish'". He notes, too, Arthur Rackham's drawings with "bristly, twisted, anthropomorphic trees that appear as the guises of Elves and other supernatural beings", while Disney's 1932 Silly Symphony episode Flowers and Trees features trees that walk.
Olsen sees in Tolkien's song of the Ents and the Entwives, supposedly written by Elves, "compelling insights on the complexities and conflicts of life in a fallen world." The song goes through the four seasons of the year, each time with a stanza by the Ent and then one by the Entwife. Olsen comments that the Ent is passive, even "languid and somnolent" in summer, the only active process being dreaming; whereas the Entwife's summer season is "simply bursting with activity". These are perhaps, Olsen reflects, not in competition; both contemplation and action are "valuable ways of celebrating natural beauty". He suggests that Treebeard's view of the song is however biased, and that the Ent is not as humble as he claims to be, especially with respect to the Entwives. If the Ents and the Entwives were to be "unified", they would "balance and complete each other", but they face "moral dangers" without such balance: in the case of the Ents, the danger is of letting their life in nature "lapse into mere lassitude". He gives as examples the "apathetic isolationism" of Skinbark, who refuses to come out of his hills, and Leaflock's "somnolent oblivion", just standing in the long grass all summer doing nothing. Olsen calls it "a cautionary tale" and "tragic", quite unlike Treebeard's "In the willow-meads of Tasarinan", again covering the four seasons, but which is a lament.
Anne Petty comments that the song follows traditional gender stereotypes, the Ents liking wild nature, the Entwives preferring the more domestic realm of tamed nature and gardening.
The TV series , set in the Second Age, features Ents. Two of the Ents that appear in the episode "" are Snaggleroot and Winterbloom (voiced by Jim Broadbent and Olivia Williams).
First Age
Entwives
The Last March of the Ents
Analysis
Etymology
Improving on Shakespeare
Other sources
Wish-fulfilment and environmentalism
Mythic value: song of the Ents and the Entwives
Adaptations
In other media
In popular culture
See also
Primary
Secondary
Sources
External links
|
|