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Alankāra
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Alankara (), also referred to as palta or alankaram, is a concept in Indian classical music and literally means "ornament, decoration". An alankara is any pattern of musical decoration a musician or vocalist creates within or across tones, based on ancient musical theories or driven by personal creative choices, in a progression of . The term alankara is standard in , while the same concept is referred to as palta or alankara in .

The ancient and medieval music scholars of India state that there are unlimited creative possibilities available to a musician, but each scholar illustrated the concept with a set of alankara. Datilla discussed 13 alankaras, Bharata Muni presented 33, Sarngadeva described 63 alankaras, while mid medieval scholars presented numerous more.

(2025). 9780226730349, University of Chicago Press. .
The Indian music tradition classifies alankara as rational or irrational, wherein irrational alankara being those that cannot be reduced to a fixed scale degree pattern. The Indian theory of gamaka covers the group of irrational alankara. The concept of alankara applies to both vocal and musical instrument performance.

, the father of modern Carnatic music, developed learning exercises for students based on alankara and svaravali, where the student systematically repeats a certain set of patterns over three octave registers, across various and talas.

(1998). 9780824049461 .


Types
Here are some common types of alankara used in classical music are
  • , a technique of singing notes in a fluid manner with one note merging into the next - there are many different kinds of meend
  • kan-swar, - the use of grace-notes depends on the being performed
  • andolan, a gentle swing on specific notes, used selectively
  • gamaka, a heavy to-and-fro oscillation involving two or three distinct notes
  • khatka/gitkari, a rapid rendition of a cluster of notes distinctly yet lightly
  • , an even lighter and more subtle rendition of a cluster of notes


Other definitions
Alankara also refers to:
  • a pattern on a group within a given octave, in ancient Indian music.
  • a type of exercise based on the 7 main talas and their variations.


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