The system of describing Pipe organ or harpsichord strings with a particular number of "feet" is a way of relating the pitch actually sounded by the pipe or the string to the conventional pitch assigned to the key that activates it.
Doubling the length of a pipe or string halves its natural frequency, whereas halving the length of a pipe or string doubles its natural frequency. Examples include:Hubbard (1965: 355, 361)
In organs and harpsichords, the depression of a key often sounds both a string or pipe at eight-foot pitch and also other pipes and strings at different pitches. This is a method for enriching the tone. Since the largely coincide, the ear usually hears a single pitch, with complex tone quality. For harpsichords, the 2′, 4′, 8′, and 16′ octaves largely exhaust the range of the instrument. For organs, a far greater variety may be possible; see Organ stop.
If a pipe is open at both ends, as is true of most organ pipes, its fundamental frequency can be calculated (approximately) as follows:
where
If is assumed to be 343 m/s (the speed of sound at sea level, with temperature of 20 °C), and the pipe length is assumed to be , then the formula yields the value of 70.4 hertz (Hz; cycles per second). This is not far from the pitch of the C two octaves below 440 Hz, which (when concert pitch is set at A = 440 Hz) is 65.4 Hz. The discrepancy may be related to various factors, including effects of pipe diameter, the historical differing definitions of the length of the foot, and variations in tuning prior to the setting of A = 440 Hz as the standard pitch in the 20th century.
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