Finally available, a high quality book of the original classic edition of Hieroglyphics
It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Arthur Machen, which is now, at last, again available to you.Get the PDF and EPUB NOW as well. Included in your purchase you have Hieroglyphics in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Hieroglyphics:Look inside the book: Often we sat there till the veritable darkness came, and each could scarcely see the white of the other's face, and then my friend would light two lonely candles on the mantelpiece, or if he wished to read he set one on a table beside him; and when the candles were lighted I thought that the gloom grew more intense, and looking through the uncurtained window one could not see even the friendly twinkle of the gas-lamp in the street, but only the vague growth of the laburnum, and the tangle of boughs beyond....I really think then that we have disposed of perhaps the most generally received of artistic fallacies—that books are to be judged by their power of reproducing in the reader those feelings of grief, interest, curiosity, and so forth which he experiences or may experience in his everyday life, which he really does experience in greater or less degree every time he talks to a 23friend, takes up a newspaper, or receives a telegram. ...Just now I was talking about Poe's Dupin stories, and I tried, rather vaguely, to justify my tentative inclusion of them in the higher class of letters, by pointing out that Poe seemed to hint at the 'other-consciousness' of man, and to suggest, at least, the presence of that shadowy, unknown, or half-known companion who walks beside each one of us all our days. About Arthur Machen, the Author: These ideas also featured strongly in the novel The Secret Glory which he wrote at this time, marking the first use of the idea in fiction of the Grail surviving into modern times in some form, an idea much utilised ever since, as by Charles Williams (War in Heaven), Dan Brown (The Da Vinci Code) and George Lucas (Indiana Jones and the Last Crusade). ...He continued republishing earlier works in collected editions, as well as writing essays and articles for various magazines and newspapers and contributing forewords and introductions to both his own works and those of other writers—such as the Monmouthshire historian Fred Hando's The Pleasant Land of Gwent (1944)—but produced little new fiction.