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Audio Culture: Readings in Modern Music
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The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today


Specifications
  • Audio Culture: Readings In Modern Music available on March 31 2017 from Indigo for 55.9
  • Audio Culture : Readings in Modern Music available on February 27 2017 from BiggerBooks for 33.39
  • ISBN bar code 9780826416155 ξ4 registered March 31 2017
  • ISBN bar code 9780826416155 ξ5 registered February 27 2017
  • ISBN bar code 9780826416155 ξ1 registered September 22 2015
  • ISBN bar code 9780826416155 ξ3 registered September 25 2014
  • ISBN bar code 9780826416155 ξ2 registered August 25 2012
  • Product category is Audio Culture : Readings in Modern Music, 9780826416155, Book, Textbook Book

  • # 978082641615
  • # 9780826416155N

Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. Via writings by philosophers, cultural theorists, and composers, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concr?te, free improvisation, experimental music, avant-rock, dub reggae, Ambient music, HipHop, and Techno. Instead of focusing on the putative crossover between high art and popular culture, Audio Culture takes all of these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction. Section headings include topics such as Modes of Listening, Minimalisms, and DJ Culture. In addition, each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts. The book concludes with a glossary, a timeline, and an extensive discography.


References
    ^ (2004). Audio Culture: Readings in Modern Music (revised Sep 2015)
    ^ (2012). 9780826416155, Continuum International. (revised Sep 2013)
    ^ Audio Culture : Readings in Modern Music by Daniel Warner and Christoph Cox (2004, Paperback) (revised Jan 2015)
    ^ Audio Culture: Readings In Modern Music Indigo. (revised Mar 2017)
    ^ (2014). Audio Culture : Readings in Modern Music, Bloomsbury Academic. BiggerBooks. (revised Feb 2017)

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