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Narrative moves. Stories migrate from one culture to another, over vast distances sometimes, but their path is often difficult to trace and obscured by time. Fabulous Orients looks at the traffic of narrative between Orient and Occident in the eighteenth century, and challenges the assumption that has dominated since the publication of Edward Said''s Orientalism (1978) that such traffic is always one-way. Eighteenth-century readers in the West came to draw their mental maps of oriental territories and distinctions between them from their experience of reading tales ''from'' the Orient. In this proto-colonial period the English encounter with the East was largely mediated through the consumption of material goods such as silks, indigo, muslin, spices, or jewels, imported from the East, together with the more ''moral'' traffic of narratives about the East, both imaginary and ethnographic. Through analyses of fictional representations (including travellers'' accounts, letter narratives such as Letters Writ by a Turkish Spy, and popular sequences of tales such as the Arabian Nights Entertainments) of four oriental territories (Persia, Turkey, China and India), Ros Ballaster demonstrates the ways in which the East came to be understood as a source of story, a territory of fable and narrative. Fabulous Orients is structured according to territory rather than genre. Each section opens by re-narrating an oriental story in which a feminine character serves to ''figure'' western desire for the territory she represents: the courtesan queen of the Ottoman seraglio Roxolana; the riddling Chinese princess Turandocte; and the illusory sati of India, Canzade. The book goes on to explore the range of fabulous writings relating to each territory in order to illustrate how certain narrative tropes can come to dominate its representation: the conflict between the male look and female speech staged in the seraglio in the case of Turkey and Persia, the inauthenticity and/or dullness associated with China and its products such as porcelain, and the illusory dreams that are woven in the space of India and associated with its textile industries. This is the first book-length study of the oriental tale to appear for almost a century. Informed by recent historiographical and literary re-assessments of western constructions of the East, it develops an original argument about the use of narrative as a form of sympathetic and imaginative engagement with otherness, a disinvestment of the self rather than a confident expression of colonial or imperial ambition.


Specifications
  • Fabulous Orients: Fictions Of The East In England 1662-1785 available on August 09 2018 from Indigo for 119.95
  • Fabulous Orients available on June 20 2016 from Buy for 65.22
  • Oxford University Press, USA available on November 06 2014 from Amazon for $28.31
  • ISBN bar code 9780199267330 ξ2 registered February 20 2016
  • ISBN bar code 9780199267330 ξ3 registered June 20 2016
  • ISBN bar code 9780199267330 ξ1 registered November 06 2014
  • Product category is Ros Ballaster Fiction and Literature British Literary Theory and Criticism Fabulous Orients Book
  • Manufacturered by Oxford University Press, USA

  • # 978019926733

  • Product size is 8.54"x6.1"x1.07"
  • Product weight is 1.57 lbs.
Narrative moves. Stories migrate from one culture to another, over vast distances sometimes, but their path is often difficult to trace and obscured by time. Fabulous Orients looks at the traffic of narrative between Orient and Occident in the eighteenth century, and challenges the assumption that has dominated since the publication of Edward Said's Orientalism (1978) that such traffic is always one-way. Eighteenth-century readers in the West came to draw their mental maps of oriental territories and distinctions between them from their experience of reading tales from the Orient. In this proto-colonial period the English encounter with the East was largely mediated through the consumption of material goods such as silks, indigo, muslin, spices, or jewels, imported from the East, together with the more moral traffic of narratives about the East, both imaginary and ethnographic. Through analyses of fictional representations (including travelers' accounts, letter narratives such as Letters Writ by a Turkish Spy, and popular sequences of tales such as the Arabian Nights Entertainments) of four oriental territories (Persia, Turkey, China and India), Ros Ballaster demonstrates the ways in which the East came to be understood as a source of story, a territory of fable and narrative. Fabulous Orients is structured according to territory rather than genre. Each section opens by re-narrating an oriental story in which a feminine character serves to figure western desire for the territory she represents: the courtesan queen of the Ottoman seraglio Roxolana; the riddling Chinese princess Turandocte; and the illusory sati of India, Canzade. The book goes on to explore the range of fabulouswritings relating to each territory in order to illustrate how certain narrative tropes can come to dominate its representation: the conflict between the male look and female speech staged in the seraglio in the case of Turkey and Persia, the inauthenticity and/or dullness associated wit

References
    ^ Oxford University Press, USA, Oxford University Press, USA. Amazon. (revised Nov 2014)
    ^ (2012). Fabulous Orients: Fictions Of The East In England 1662-1785 Indigo. (revised Aug 2018)
    ^ Fabulous Orients Buy. (revised Jun 2016)

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