Fantastic variant on the giallo theme that replaces bloodshed with psychosexual themes. One of the most beautifully and meticulously photographed films in the genre, every shot is composed with purpose and a strong aesthetic. A typically superb soundtrack from Morricone and strong performances from the cast of giallo favorites make this a must-watch, even if you were hoping for the non-present black-gloved slashing.
Fantastic variant on the giallo theme that replaces bloodshed with psychosexual themes. One of the most beautifully and meticulously photographed films in the genre, every shot is composed with purpose and a strong aesthetic. A typically superb soundtrack from Morricone and strong performances from the cast of giallo favorites make this a must-watch, even if you were hoping for the non-present black-gloved slashing.
Fans of Italian Cinecitta, and of the Radley Metzger-type softcore sex films will be interested in this erotic pyschological thriller. The plot is neither here not there - a psycho is terrorizing a beautiful young woman by saying he can prove her husband is a murderer, and she submits to all kinds of humiliation and abuse at his hands for the sake of saving her man. The "twist" at the end is not necessarily predictable, but not too interesting, either. But the film is worthwhile for three reasons, mainly. 1. Despite the tired plot, the story is played out well by all actors 2. Ennio Morricone's breezy, light psychedelic soundtrack is pleasant, if not among his best works 3. Dagmar Lassander, who plays the vitimized woman, is stunningly beautiful, a treat to look at, even when wearing the most ridiculous dresses and outfits. If you're into Metzger and the whole Audobon films thing, or if you just like cool-looking, late 60's Italian films, this is worth a viewing.