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If you liked Dirt Farmer, but prefer the fuller sound of his live Rambles, then this is the album for you. More upbeat, and featuring more horns, this album sounds like the Ramble, but with better production than most of the recordings I have of the Ramble on the Road.Larry Campbell's production and playing both sound great. Levon's voice is strong. Even after first listen some of the new songs are pretty catchy and the covers are almost perfectly done.
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This is more appropriately the best album the Band never made. It certainly is Levon's best. A follow up to Dirt Farmer, but with more punch, the band crackles all the way through and both his daughter Amy and Larry Campbell are stalwart colleagues who deliver the goods. Amy is amazing - she her old man's swagger and sway with a voice full of the deep south and close to the floor. Campbell is not just an amazing guitarist. He obliterates whatever it was that Robertson once brought to Levon's efforts.And that is critical. In many of the tunes, one's imagination immediately inserts virtual harmonies from Danko and and Manuel. Of course, they're gone, but you can almost hear them coming in. The horns would put you in mind of the wonder that Hudson would effect. As for Levon Helm's drumming, he has a snap, roll and swing in finer form than I have ever heard. His voice is back as well. Midnight Rambles and time have brought a large measure of restoration to one of America's most...
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One disc 46 minutes approximately. The sound is crisp yet warm,which suits Helm's songs and voice perfectly.This album is a continuation of Helm's fine previous (Grammy winning) release "Dirt Farmer",yet it builds on that album's feel. This time out there are electric guitars that replace the previous albums overall acoustic sound. Yet "Electric Dirt" has that same lived in,down-home feel,due in large part to Helm's wonderful aching vocals. The arrangements by Larry Campbell are just right,making each track stand out yet all the tracks form a seamless whole. A combination of up-tempo tracks combine with slower tunes that show Helm's voice is comfortable with either one. His voice sounds most authentic on the slower tracks,which give the feeling of this music being much older than it is. In some ways Helm's voice and inflection (though Helm's voice is in a lower range) sounds a bit like the wonderful Roscoe Holcomb (give Holcomb a try if you want to go deeper into this...