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Amazing, March 27, 2005

Edgeplay - A Film About the Runaways Edgeplay - A Film About The Runaways available on February 22 2017 from Indigo for 23.99
I don't even know where to start. I've watched Edgeplay three times in the few days since I got it, and still feel as if I am seeing new, dusty corners in a room I grew-up in.If you are looking for another typical, VH-1 styled look at the fun and excesses of a dysfunctional rock band, this complex film may disappoint you. Edgeplay is not a film intended to excite, gawk, or fawn over it's subjects, and I say subjects rather than "subject" intentionally, as it's a film about people, not about the rock 'n roll lifestyle. There is no whimsy for the joyful free-sex and drugs of the 70's, or any fanboy enthusiasm for The Runaways as a band.What there is, is an insightful and compassionate look at a tragic and yet stoic group of young women, who made history, without ever recieving any praise, who made great music without ever selling many records, and who paid dearly in many ways for their now legendary status, with a good part of their childhoods...

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Victory Tischler-Blue's "Edgeplay" is a riveting, emotional, brutally honest film about what happens when a cruel, manipulative man pumps 6 teen girls full of dreams.The Runaways were a groundbreaking rock group whose influence over the years belies their mediocre record sales at the time. Somewhat manufactured in that none of the girls knew each other before being picked out by uber-scenester Kim Fowley, they still managed to forge a raw identity of their own while rebelling against his emotional abuse. Having been a 13 year old in Los Angeles at the time of their first album release, I can personally attest to the dreams they inspired amongst their fans.All the girls involved except Joan Jett co-operated fully in this documentary. The interviewer / director was one of The Runaways herself: Vicky Blue was the bass player who replaced Jackie Fox after Jackie left the band. Even Kari Chrome who never played onstage, but contributed songs to the first album & was...
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I don't even know where to start. I've watched Edgeplay three times in the few days since I got it, and still feel as if I am seeing new, dusty corners in a room I grew-up in.If you are looking for another typical, VH-1 styled look at the fun and excesses of a dysfunctional rock band, this complex film may disappoint you. Edgeplay is not a film intended to excite, gawk, or fawn over it's subjects, and I say subjects rather than "subject" intentionally, as it's a film about people, not about the rock 'n roll lifestyle. There is no whimsy for the joyful free-sex and drugs of the 70's, or any fanboy enthusiasm for The Runaways as a band.What there is, is an insightful and compassionate look at a tragic and yet stoic group of young women, who made history, without ever recieving any praise, who made great music without ever selling many records, and who paid dearly in many ways for their now legendary status, with a good part of their childhoods...
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I haven't listened to the Runaways in over 20 years, and even then, only listened to one album, their first. I came to it by way of Joan Jett, whom I liked. I wasn't crazy about the Runaways album. This film, however, reveals a group of girls who were, in fact, quite talented and strong, and who became skilled and made some good music.Unlike other reviewers, I don't see Kim Fowley as quite the abusive sleazebag they did...More, he was a banal, self-important, smarmy, drover. Did he take advantage of them? Perhaps. They didn't seem to make any money to speak of during their 5 years together--there's no mention of what Fowley walked away with, either, though. And if he used them, he also groomed them. The girls were (understandably) unprepared for the hard realities of the music business. And they didn't like it when Kim called them names. Say whatever you want about Fowley, though, he took a bunch of inexperienced, horomonal, undisciplined kids who didn't know a...
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